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CINE​.​MATERIALISMO (soundtrack pills)

by Victoria Contreras (La Rara)

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1.
Channel tune 00:20
2.
On “La giovinezza” 01:35
info
3.
On “Confessions” 01:30
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4.
On “The Turin horse” 02:57
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5.
On “The Swimmer” 01:33
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6.
On “Shirley” 03:44
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7.
On “Irreversible” and “Seven Brides for Seven Brothers” 03:38
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8.
On “The Wayward Cloud” 01:50
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9.
On “Barton Fink” 03:32
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10.
On "Sexy Beast" 01:48
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11.
On "Locke" 03:57
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12.
On "Los autonómicos" 01:23
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13.
On "The Man Who Shot Liberty Valance" 01:02
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14.
On "Key Largo" 01:21
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15.
On "Psycho" 02:09
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16.
On "Eaten alive" 06:30
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17.
On "Mafioso" 01:21
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18.
On "The Chase" 03:26
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19.
On "Virgin Mountain" 02:45
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20.
On "Apocalypto" 04:12
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21.
On "Magical Girl" 02:58
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about

“Pills” is the generic that spanish filmmaker Alberto Adsuara uses to name each of the parts of his latest experiment: Cinema / Materialism ( www.youtube.com/c/Cine-materialismo/videos ) is a YouTube channel dedicated to commenting on more or less well-known but all exceptional movie sequences. From the images, the author reflects aloud on different aspects that will force us as spectators of both films (the film and its commentary) to deepen our own interpretation of what we see and remember.

I introduce here just eight tracks (and the channel tune) of the 33 I have created till now to illustrate those Pills, a major play and fun because the very diverse tones of the commented films allow me to experience very different sound extremes (rhythms, orchestrations, emotional nuances).

The Cinema/Materialism channel adds a juicy new video (in spanish with english subtitles) every two weeks: subscribing is the best option to receive an email communication and stay up-to-date with news.

Thanks for listening!

credits

released September 28, 2020

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all rights reserved

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about

Victoria Contreras (La Rara) image

Victoria Contreras (La Rara) Spain

I am a music composer based in Spain, and I produce original music tracks for videos, games, TV, films and advertisements. Feel free to contact me if you’d like some custom music for your project.

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